DAW, Digital Audio Workstation, Four Codes of Preaching, Garageband, homiletic method, homiletics, John S. McClure, Logic Pro, Mashup Religion, multi-track, preaching, sermon invention, sermon preparation, Track Sheet
In my new book, Mashup Religion: Pop Music and Theogical Invention, I develop a series of analogies between making popular music and composing theology in a variety of forms: sermons, blogs, educational events, etc. One of the analogs to music-making in the book is the multi-track recorder or DAW (digital audio workstation). DAWs come in lots of shapes and sizes (Garageband, Logic Pro, Pro Tools, Acid Pro, etc.). These software programs assist musicians as they record or “track” audio. In effect, they help musicians layer and sequence (or stagger) bits and pieces of audio. Typically a recording will consist of rhythm tracks, melody tracks, lead tracks, and fills. By analogy, in a sermon, we layer and sequence four types of audio tracks – scripture tracks, message tracks, theology tracks, and experience tracks. Here’s a little video to show you how this works.
For more on this book and other analogies between making popular music and composing theology at the interface between academia and popular culture go to the blog I’ve set up for the book at http://mashupreligion.blogspot.com